TransEthics: Your band, Destroyed for Comfort, has a very unique sound. To those who have yet to experience it, how would you describe it?
Rani Baker: The music I perform is typically very sample-heavy, intentionally retro, low-fi, and abrasive, with heavily distorted vocals. The sound (especially live) has frequently been compared to Skinny Puppy, Alec Empire and Crystal Castles, but doesn’t really sound exclusively like any of those acts. Occasionally more melodic and/or experimentally structured work is composed, but I tend to take the stompier, more anthemic tracks live.
TransEthics: I’ve interviewed a couple of non-binary people in the past. How do you define “non-binary”?
CN Lester: I would probably say that I don’t define it — I think the very appeal is that there is no fixed definition — or, rather, than everyone has their own, and we respect individual interiority — that’s the whole point. I don’t personally used the term non-binary (unless repeating someone else’s choice to use it) for a number of reasons.
The main reason being that gender is not a binary. Sex is not a binary. It never has been, it never will be, and I object to having to define myself, and the whole complex web of humanity, in reference to a lie which has caused untold damage. As ever, that’s not to say that men and women aren’t men and women — just that there have always been more descriptors than just those two, that those descriptors need not be fixed to specific entry requirements, and that every person (man, woman, neither, both, either, more options) will have their own take on what gender and sex mean.